[Japan tour 2026] Hakuto Jinja ~ shrine for the white rabbit

中文版請按此
 
Date: 16th January 2026 (Friday)
 
 
After finishing our local meal, it was time to visit the birthplace of a famous local legend – Hakuto Jinja (白兎神社, literally 'White Rabbit Shrine'). The shrine is located to the northwest of Tottori city, already outside the urban area. Driving there from Tottori Station takes about 20-25 minutes. At the entrance to the shrine there is a roadside rest area, Michinoeki Shinwanosato Shirousagi (道の駅 神話の里 白うさぎ), where visitors can park.
 
When we travelled from Osaka to Tottori, the train we took was called Super Hakuto (in Japanese 'hakuto' or 'shirousagi' means 'white rabbit'). But how did this 'white rabbit' become a symbol of Tottori – and even be worshipped at a shrine?
 
Michinoeki Shinwanosato Shirousagi
 
According to the Japanese myth recorded in the 'Kojiki' (古事記), there was once a white rabbit living on an island, Okinoshima (淤岐之島) who wished to reach the land of Inaba (now Tottori) on the opposite shore. As the rabbit could not swin, it came up with a trick. It told a group of sharks that it wanted to see whether there were more sharks or more rabbits. The rabbit asked the sharks to line up from Keta Coast (気多海岸, now known as Hakuto Coast) to Okinoshima, then began hopping across their backs one by one, pretending to count them. When it reached the last shark, the rabbit proudly revealed the truth, 'Fools, you've been tricked!' The final shark was furious. It stripped the rabbit of its fur and left it lying on the shore.
 
At the same time, the Yasogami (八十神), a group of eighty brothers of the deity Ôkuninushi (大国主大神) – were travelling from Izumo (出雲) to Inaba in order to court the goddess Yagamihime (八上姫). They encountered the badly injured rabbit and were asked for help. However, they decided to tease it instead. They told the rabbit to bathe in the sea and then let the wind dry its body. The wounded rabbit followed their advice. The seawater caused terrible pain, and once the wind dried it, salt crystals formed in its wounds, making things even worse.
 
Okinoshima – said to be where the white rabbit originally lived (image source: Google Maps)
 
The first torii gate and shrine name stone plaque
 
'Musubi stones' placed on the rabbit statue by visitors
 
Hakuto Coast
 
Soon afterwards the rabbit encountered the younger brother of the Yasogami – Ôanamuji (大穴牟遅), who later become the deity Ôkuninushi. He had been bullied by his brothers and was walking behind them carrying their baggage. After hearing the rabbit's story, Ôanamuji kindly told it to wash its body in fresh water from a pond, then gather pollen from cattails growing nearby. By rolling in the pollen, the wounds would gradually heal. The rabbit followed his advice and indeed recovered. Grateful, it said to Ôanamuji, 'Your eighty brothers will never win the heart of Yagamihime. Even though you are the one carrying their luggage, you will be the one she chooses.'
 
Yagamihime had witnessed everything. In the end she rejected the eighty brothers and decided to marry Ôanamuji. Furious, the brothers later plotted revenge against him – but that is another myth entirely, which eventually leads to Ôanamuji becoming the great deity Ôkuninushi.
 
Keta Coast thus became the place where Ôkuninushi and Yagamihime were brought together. The white rabbit is regarded as the matchmaker between them. Keta Coast later became known as Hakuto Coast, and a shrine was established here to worship the White Rabbit. Today it is especially known as a shrine where people pray for good relationships and recovery from illness.
 
Sand sculpture of the Inaba's White Rabbit legend
 
Monument for the poet Kitasato Takeshi
 
Passing through the first torii gate and climbing the steps along the approach, you will see a sand sculpture of the Inaba's White Rabbit on the left. In the distance to the right stands the monument to KITASATO Takeshi (北里 闌). The sand sculpture currently on display is the second version, completed on 16th December 2022 to celebrate the coming Year of the Rabbit in 2023. It depicts Ôkuninushi and Yagamihime gently watching over the white rabbit that brought them together, expressing a wish for good fortune for visitors. The previous sculpture, created in 2011 (also a year of rabbit), showed Ôkuninushi proposing to Yagamihime while the rabbit looked on.
 
The monument to Kitasato Takeshi bears a waka poem written by him in 1930. The poem describes the scenery of Keta Coast and was selected for the Kyûchû Utakai Hajime (宮中歌会始, Imperial New Year Poetry Reading) with the yealy theme 'Rock on Seashore'.
 
The Kyûchû Utakai Hajime is held every New Year. Originally it was limited to members of the imperial family. Each year the Emperor sets a theme, and participants compse waka poems (和歌) based on it. From 1874 onwards the public were allowed to submit poems. Today the event is broadcast live on NHK General TV.
 
Forest of Hakuto Jinja
 
Shrine approach path
 
Musubi stones thrown onto the second torii gate
 
The forest surrounding Hakuto Jinja is designated a national cultural property. Because it stands close to the coast, the trees have been shaped by strong sea winds over many years and often grow leaning towards the south, creating a distinctive landscape. On the northern slope, where the wind hits most strongly, tall Japanese black pines dominate. Beneath them grow various plants such as star jasmine, Ardisia japonica and Farfugium japonicum, forming rich layers of vegetation. Around Mitarashi Pond (御身洗池) grow species suited to warmer climates, including camphor trees and red oak, as well as ferns. The forest also preserves areas of natural woodland dominated by chinquapin and holly.
 
Walking along the approach path, you will see many statues of rabbits on stone pillars. On top of these pillars – and even on the torii gates – there are small stones. These are called musubi stones, which can be purchased at the shrine office. Throwing one onto the top of a torii gate is said to make your wish come true. Of course, most people fail to throw them high enough, so they place them on the rabbit statues instead, hoping their wishes will still be granted. Some visitors also take a musubi stone home with them.
 
Chôzuya
 
The water basin is very cute
 
Mitarashi Pond ('the pond that neither increases nor decreases')
 
Beyond the second torii gate stands the chôzuya (purification pavilion). The water basin here is particularly charming – a white rabbit standing on a cloth sack. The rabbit symbol is obvious, but the sack may represent the baggage that Ôkuninushi once carried for his brothers. Water flows from the mouth of the sack. When someone approaches the basin, music begins to play – a children's song called 'Daikoku Sama' (大黒様). It was published in 1905 in a Ministry of Education songbook for primary schools. The lyrics tell the story of Daikoku encountering the flayed white rabbit.
 
But wait – was it not Ôkuninushi who met the rabbit? Daikokuten (大黒天) is a deity from India who became one of Japan's Seven Lucky Gods. Through the historical blending of Buddism and Shinto, Daikokuten became associated with Ôkuninushi.
 
Oppsite the chôzuya is Mitarashi Pond, surrounded by trees and about 100 metres in circumference. In ancient times this was a large lake. After the area was reclaimed as farmland, only this pond remained. According to the 'Kojiki', this is where the white rabbit washed its wounds. The water level is said to remain unchanged whether in drought or heavy rain, which is why it is also known as 'the pond that neither increases nor decreases'.
 
Worship hall
 
Main hall and chrysanthemum pedestal stones
 
Hakuto Jinja enshrines the White Rabbit deity – the Inaba's White Rabbit. In the past it was also called Hakuto Daimyôjin (白兎大明神). Two other deities are worshipped here as well: Ukemochinokami (保食神), the deity of food, and Toyotamahime, who appears in the myth of Yamasachihiko-to-Umisachihiko. Toyotamahime is regarded as a goddess accociated with safe childbirth and prosperity for descendants.
 
The exact founding date of the shrine is unknown. It was destroyed during warfare in ancient times and was forgotten for a period, with many records lost. According to tradition, during the Keichô era (1596-1615) the lord of Kano Castle, KAMEI Korenori (亀井 茲矩), dreamt of the White Rabbit telling him it no longer had a place to stay. He then searched for an elderly person who still remembered the location of the original shrine and rebuilt it. The shrine buildings were reconstructed again in 1669 and 1773. The present structures date from 1890 and were repaired in 2012.
 
The main hall is a modified Taishazukuri style. The shrine grounds cover 816 square metres. The sacred rope hanging at the worship hall was made by the same group that produces ropes for Izumo Taisha – the Iinan Town Shimenawa Club – and was dedicated to the shrine in 2014. The six foundation stones beneath the main hall are carved with the Imperial 28-petal chrysanthemum crest, known as Kikuzaishi (菊座石). This design is extremely rare both locally and nationally, which has led many people to believe that the shrine may once have had some connection with the Imperial family.
 
A torii gate inside the michinoeki (roadside station)
 
The second rabbit station manager – Enishi-kun
 
After visiing Hakuto Jinja, we also had a look around the michinoeki. A michinoeki is a roadside rest station along ordinary national roads. Hakuto Coast lies along National Route 9, the main road entering Tottori from the west. The ground floor of the michinoeki has souvenir shops, a coffee shop and a restaurant. The second floor is an observation deck, and there is also a footbridge leading to Hakuto Coast. There are many photo sopts related to the White Rabbit legend there, and from the shore you can also see Okinoshima in the distance. Unfortunately the wind was far too strong for us to walk across.
 
Just as Wakayama Electric Railway has the famous cat station manager Tama, this michinoeki also has its own rabbit station manager – Enishi-kun (縁くん).
 
 
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[日本旅遊 2026] 白兎神社~因幡之白兔

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日期:2026 年 1 月 16 日(星期五/金曜日
 
 
吃完鄉土料理,是時候去拜訪一下鄉土傳說的誕生之地──白兎神社。神社位於鳥取市西北方,已離開市區,從鳥取駅開車過去大概 20~25 分鐘。位於神社入口處的道の駅「神話之里 白兔」(神話の里 白うさぎ)有停車場可以停車。
 
我們從大阪來鳥取,搭乘的列車叫做「超級白兔」(スーパーはくと)。究竟這隻「白兎」是怎樣成為鳥取的代表,甚至要被供奉?
 
道之驛 神話之里 白兔(道の駅 神話の里 白うさぎ
 
根據日本神話《古事記》所述,有一隻居於淤岐之島的白兔想要前往對岸的因幡。因為牠不懂游泳,於是耍小聰明,找來鯊魚說:「要比一比鯊魚多,還是兔子多」。白兎叫鯊魚們從気多海岸(現白兎海岸)並排來淤岐之島,牠便一隻一隻跳過鯊魚背上逐一「點數目」,跳到最後一隻時,白兎便得意的說:「笨蛋,你們上當了!」最後一隻鯊魚氣得把白兎的皮毛剝掉,擱到海岸上。
 
與此同時,由出雲前來因幡追求女神八上姫八十神大国主大神的 80 個兄長),遇上了血肉模糊的白兎向他們求救。八十神卻捉弄白兎,嚷其到海裡洗身,再待風吹乾便會痊癒。滿身傷痕的白兎跳到海裡,苦不堪言,風乾後鹽巴結在傷口上,比之前更痛苦。
 
淤岐之島,據說是白兎原來居住的地方(圖片來源:Google 地圖
 
一の鳥居社号碑
 
白兔雕像上由參拜人士放置的結緣石(結び石
 
白兎海岸
 
接著白兎又遇到了被八十神欺負,跟在後面為眾兄背著行裝,八十神的弟弟──大穴牟遅(後來成為大国主大神)。聽畢白兎的遭遇後,大穴牟遅教導白兎到水門用清水洗身,然後在水門周圍採摘蒲黃,撒於地上,在其上翻滾,讓傷口沾滿蒲黃花粉,傷便會慢慢痊癒。白兎照著做,結果真的康復了。白兎大穴牟遅說:「八十神不會得到八上姫的芳心,你雖背負行囊,但一定能被看上。」
 
八上姫當然一切都看在眼裡,結果真的拒絕了八十神,並決意嫁給大穴牟遅八十神眾怒,至於他們如何報復大穴牟遅,以及大穴牟遅如何成為大国主大神,這又是另一個神話。
 
気多海岸成為大国主大神八上姫結緣的地方,白兎被視為兩者的紅娘。気多海岸現在被稱為白兎海岸,並於此設立神社供奉白兎,成為主要祈求姻緣、病癒的神社。
 
因幡之白兔神話砂雕
 
北里闌歌碑
 
穿過一の鳥居,走過参道的階梯,左側是因幡の白兎的砂雕,右側遠處可以看到北里闌歌碑。現在看到的砂雕已是第二代作品,於 2022 年 12 月 16 日完成,是為了預祝 2023 兔年而重新製作。作品描繪的是大国主八上姫溫柔守望著帶來良綠的白兎,並希望能為訪客帶來幸運的祝願。上一代作品創作於 2011 年(同為兔年),是大国主八上姫求婚,白兎在一旁觀看的場景。
 
北里闌歌碑上刻有日本文學家北里闌(1870~1960)作創作的和歌「鰐の背に 似たる岩見ゆ 蒲ならぬ 波の花散る 気多の岬に」(在氣多的海角之上,岩石像鯊背般排列,浪花如蒲穗樣紛飛。)。該詩句是北里闌在 1930 年宮中歌会始就勅題「海辺の巌」所創作,描述気多海岸的情景,最終入選。
 
宮中歌会始是每年新年期間由皇室舉辦的詠詩典禮,最初僅供皇族參與。每年由天皇訂下主題,稱為「勅題」,參與者就勅題創作和歌(日本詩詞)。1874 年開始接受民間投稿(稱為「詠進」),最初詠進的評選工作由宮内省御歌所負責,1947 年改由 5 位當代詩人擔任選者負責,「勅題」也改稱為「御題」(お題)以拉近與民間的距離。現時宮中歌会始由公營廣播機構 NHK 綜合電視直播。
 
白兔神社樹叢
 
参道
 
拋到二の鳥居上的結緣石
 
白兎神社樹叢国指定文化財。由於緊鄰海岸南側,長年受到海風吹拂,令樹多半向南傾斜生長,形成獨特景觀。樹叢外圍易受海風影響的北側斜坡上,可看到以黑松為主的高大樹木,林下則生長著定家葛、藪柑子及石蕗等植物,層次豐富。御身洗池一帶分佈著紅楠、赤樫等偏暖氣候樹種,以及紅鱗等蕨類植物。同時保留了一片以椎樹及冬青為主等自然狀態良好的林地,當中還混集不少黑木。
 
沿著参道走,可以看到兩旁有許多白兔的雕像。在放置白兔雕像的石柱上,可以看到許多小石子。其實不僅會出現在石柱上,鳥居頂其實也有許多。這些就在社務所可以買到「結緣石」(結び石)。這是白兎神社的許願方式,把結び石拋到鳥居頂上,願望便會成真。始終拋不到的人佔了大多數,於是便把石子放到白兔雕像上,希望可以同樣靈驗。但也有不少人會把結び石帶回家中擺放。
 
手水舎
 
手水舎的水盆很可愛
 
御身洗池(不增不減之池)
 
通過二の鳥居後就是手水舎手水鉢的造型很可愛,是一隻站在布袋上的白兔。在這裡白兔不用多解釋,牠所站著的布袋也許是代表大国主最初替八十神所背負的行囊,水則從布袋口流出。當有人靠近手水鉢時,手水舎便會播出一首名為《大黒様》的音樂,是一首收錄於 1905 年文部省出版《尋常小学唱歌 第二学年》的童謠,歌詞描述背著布袋的「大黒様」遇到被剝皮的白兔的故事。
 
等一下!遇到白兎的不是大国主嗎?大黒天是由印度傳入日本的民間信仰,被視為七福神之一。在神仏習合時,與神道的大国主大神習合。「大黒」日文發音「だいこく」(daikoku)也與「大国」二字的音読相同。
 
手水舎對面的池塘叫做御身洗池,被樹木環繞,周長約 100 公尺。古時此處正是内海(這一帶的古地名)的出水口,因此被稱為「水門」。後來内海被開墾為田地,只剩下這一座池塘仍然保留下來。在《古事記》中,這裡正是白兎清洗傷口的地方,據說池塘不論是乾旱還是豪雨,水位仍可維持不變,因此又被稱為「不増不減の池」。
 
拜殿
 
本殿及菊座石
 
白兎神社以主祭白兎神,即是「因幡の白兎」,過往也稱為「白兎大明神」;此外還合祀了保食神豊玉姫。保食神是掌管食物的神明,出現於《日本書紀》。豊玉姫出現於「山幸彦と海幸彦」神話之中,是山幸彦的妻子,鸕鶿草葺不合尊(第一代天皇──神武天皇之父)之母;豊玉姫被視為安產與子孫繁榮之神。
 
白兎神社的創建年代已不可考,曾於古時戰亂中遭焚毀,一度被民間所遺忘,相關古籍文獻也大部分失散。相傳在慶長年間(1596~1615 年),鹿野城主亀井茲矩夢見白兎訴說自己已無棲身之所,遂尋得對舊神社有記憶的老人,依其指示重建神社。其後於 1669 年再建社殿,並於 1773 年再次重建;現存社殿則建於 1890 年,並於 2012 年進行修繕。
 
本殿為大社造的變形樣式。境內面積為 816 平方公尺。拜殿上的注連縄由與出雲大社相同的「飯南町注連繩俱樂部」(飯南町しめ縄クラブ)製作,於 2014 年奉納於神社。本殿的六塊基石上雕有皇室的 28 瓣菊花紋章,稱為「菊座石」。此類設計不論是鄰近地區還是全國範圍也相當罕見,因此普遍認為白兎神社的設立與皇室可能有關聯。
 
道の駅內也有一個鳥居
 
第二代兎駅長──「縁」君
 
參觀完白兎神社後,也順道逛一下道の駅道の駅就是位於一般道路上的中途休息站,白兎海岸正正處於国道 9 号,是西面進出鳥取市的主要道路。道の駅一樓是土産店、咖啡店及餐廳,二樓是觀景平台,也有天橋連接白兎海岸,那邊有更多關於白兎的打卡熱點,也可以遠觀到淤岐之島,但因為太大風而沒有過去!
 
和歌山電鐵猫駅長小玉(たま),這個道の駅也有一位兎駅長──「縁」君えにしくん)。
 
 
文章目錄
前篇: [日本旅遊 2026] 若桜駅~營運中的博物館級車站、たくみ割烹店~山陰鄉土料理
本篇: [日本旅遊 2026] 白兎神社~因幡之白兔
下篇: [日本旅遊 2026] 鳥取砂丘コナン空港~以名偵探柯南為主題的機場
 
 
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[Japan tour 2026] Wakasa Station ~ a real-life 'railway museum'; Takumi Kappô ~ famous local dishes in Tottori

中文版請按此
 
Date: 16th January 2026 (Friday)
 
 
This morning's first sightseeing destination was the Wakasa Railway (若桜鉄道). The original plan was to catch the 09:47 through service from Tottori station, arrive at Wakasa (若桜) station at 10:37, head back to Tottori for local cuisine at lunchtime, and then pick up the hire car to begin our self-drive journey. However, as we had done the laundry rather late the night before, we got up later than planned. After breakfast, a glance at the time made it clear we had already missed the original train. Since there was no way we were going to make it, I decided to have another hot spring bath first and then calmly think of an alternative.
 
Option 1: take a later train. Looking at the Wakasa Railway timetable, the next service was not a through train. We would first have to take the JR Inbi Line from Tottori station to Kôge (郡家) station, then change to the Wakasa Railway to Wakasa, arriving at 11:52. The real problem, however, was not the later arrival time – it was the return journey. The earliest train back from Wakasa was at 13:24, reaching Tottori at 14:20. That would mean missing the local cuisine Todd did not want to miss, as it would already be closed for its afternoon break.
 
Option 2: skip Wakasa and wander nearby. But then I would be the one missing out on the Wakasa Railway. Option 3: collect the car earlier. In the end we chose this option – pick up the hire car ahead of schedule. It depended on whether the rental office could entertain us, but as they often deal with walk-in customers, it should not have been an issue. When planning the trip, I compared prices on Jalan and booked Nippon Rent-A-Car. The pick-up point was their Tottori Station branch, located just below the station, in the car park behind Dream Clock 21.
 
Morning streets in Tottori – somehow the snow piles seem even higher!
 
Dream Clock 21 – last night it was against the dark sky, today we see it properly in daylight
 
Tottori station
 
The Nippon Rent-A-Car Tottori Station branch also handles JR Rent-A-Car businesses. JR Rent-A-Car is JR's own rental car service, mainly aimed at long-distance rail travellers who want to drive at their destination. Some branches are run directly by JR, while others are operated by partner companies. Besides Nippon Rent-A-Car, partners include Times Car Rental and Toyota Rent-A-Car.
 
As soon as we arrived, the staff sorted everything out for us. Seeing that we would be returning the car in Izumo (出雲), they told us heavy snow was forecast there from the 20th onwards and 'recommended' fitting winter tyres. The additional cost for winter tyres and the earlier pick-up came to JP¥22,220. Added to the original JP¥70,180, the total rental cost was JP¥92,400. If you are driving in snow, winter tyres are not something you can skimp on – it is a serious safety issue.
 
We had booked the 'S-S' category (Standard Compact). I had actually wanted to hire a k-car again like last year, but one-way rentals were not available for k-cars here. This time we were given a Toyota Yaris – a very common model in the UK, though usually older 2nd- or 3rd-generation versions. In Japan, rental cars tend to be newer models. Our was a 2024 4th-generation facelift hybrid. For that price, getting a hybrid felt like good value.
 
Nippon Rent-A-Car Tottori Station branch (JR Rent-A-Car partner branch)
 
Our companion for the coming week – Toyota Yaris
 
Even thicker snow on the Wakasa side
 
After collecting the car, we drove to the 7-Eleven next to our hotel – one with parking – and set up the satnav before setting off properly. In Japan, it is common for rental companies and onsen ryokan (hot spring inns) to see guests off outside. Staff will usually stand there until your car disappears from sight, so driving off promptly is almost a courtesy. Since we had not originally planned to drive to Wakasa, I had not looked up its Mapcode in advance and had to search for it online on the spot.
 
The drive from Tottori to Wakasa takes about an hour – slightly slower than taking the Wakasa Railway. The road and the railway largely run parallel. The railway's top speed is 65 km/h, which is faster than the legal road speed of 50 km/h, and of course trains do not have traffic lights. Driving, however, is not tied to a timetable and offers more flexibility. The downside is that I missed the experience of riding their train. As we drove, the snow along the roadside became thicker and thicker. Wakasa is in a mountainous area, so that was hardly surprising. We arrived at around 11:30.
 
Wakasa Station main building
 
Wakasa Station ticket window
 
Entrance to the platform
 
The Wakasa Railway (Wakasa Line) was originally the Japanese National Railways Wakasa Line. It was mainly used for timber transport, while also carrying passengers – somewhat similar to Taiwan Railway's Neiwan Line (台鐵內灣線).
 
The history of the Wakasa Railway can be traced back to around 1889, when a San'in trunk line was being planned. One proposed route ran via Maizuru (舞鶴), Miyazu (宮津), Izushi (出石), Wakasa and Tottori, but the present San'in Main Line alignment was ultimately chosen. In 1922, the revised Railway Construction Act specified the construction f a line from Kôge to Wakasa and on to Yôka (八鹿), crossing the mountains.
 
The first section (Kôge to Hayabusa) was completed in January 1930, and the second section (Hayabusa to Wakasa) opened in December the same year. The total length was 19.2 km, with construction costs of over JP¥1.3 million. The Wakasa to Yôka section was never built, leaving Wakasa station as the terminus.
 
Snow-covered tracks and snow-melt channel
 
Wakasa station sign
 
Station platform
 
As the timber industry declined, freight services ceased entirely in 1974. With depopulation in the mountains, the railway's transport role gradually weakened. In 1981, under the JNR Reconstruction Act, it was designated as a line to be abolished in the first phase. In 1986. it was decided that a third-sector railway would take over. Following JNR's privatisation in April 1987, it briefly became part of JR West before being officially transferred to the Wakasa Railway in October that year.
 
Originally classified as a Type I railway business operator, Wakasa Railway transferred track ownership in 2009 to the local authorities of towns of Wakasa and Yazu (八頭). The two towns authorities became legal Tyep II railway business operators, while Wakasa Railway became a Type III railway business operator. The Wakasa Line runs from Kôge station on the JR Inbi Line to Wakasa station, 19.2 km in total, with nine stations. When Todd saw 'Kôge' on the timetable, he immediately said, 'Didn't we pass that yesterday?' Indeed, the limited express Super Hakuto runs along the Inbi Line and stops at Kôge station.
 
Types of Railway Businesses in Japan
 
Type I railway business operators: the main model in Japan, owning both infrastructure and train operations. By Japanese classification, the London Underground would fall into this category.
 
Type II railway business operators: owns the infrastructure but leases it to Type I or Type II operators. In this sense, Network Rail in the UK would be similar.
 
Type III railway business operators: does not own infrastructure but operates trains on tracks owned by Type I or Type II operators. UK National Rail train operating companies such as Northern Trains or Virgin Trains would fit this category. Note that a Type III railway business operator is not the same concept as a third-sector railway.
 
Wakasa station entry ticket
 
Reverse side with information about the C12 steam locomotive
 
Snow-covered tracks – truly beautiful
 
Wakasa station is the easternmost terminal station in Tottori Prefecture and the wider Chûgoku region. The station main building is a single-storey wooden structure with a trussed roof above the eaves. Although renovated externally in 1995, it retains it orginal appearance. On 16th January 2020, it officially became a sister station of Neiwan Station (內灣站) on Taiwan's Neiwan Line.
 
The building is divided into three sections: ticket office, waiting room and office area. Entering through the main door, you first reach the ticket office, with the waiting room to the right. Behind the ticket window is the office, which also serves as the headquarters of the Wakasa Railway – and the only staffed station on the line. The interior was renovated in 2020, adding Wakasa Cafe 'retro' (わかさカフェ『retro』), with the waiting room now serving as the cafe's seating area. Even so, the place still feels very much like early Shôwa Japan.
 
Several structures within the station grounds are designated National Registered Tangible Cultural Properties, including the station main building and platform, storage and lighting shed, former western signal hut, former eastern signal hut, maintenance vehicles' shed, locomotive turntable, water tower, and snow-melt channel. To enter the operational yard area, visitors must but a platform entry ticket at the ticket office. Although no one checks it, a sign at the ramp leading onto the tracks reminds visitors to purchase one. The ticket cost JP¥300 and is printed on a retro cardboard stock – quite nice to keep as a bookmark.
 
Former eastern signal hut and JNR Series 12 coach in the distance
 
Locomotive turntable
 
JNR Class C12 steam locomotive No. 167 and water tower
 
JNR Class DD16 diesel locomotive
 
Between the tracks runs a channel that is not a rain gutter but a snow-melt channel, about 278 metres long. Snow on the tracks is melted by flowing water and carried away through this channel. Another snow-melting facility is the turntable on the siding, used to change the direction of locomotives. Unlike the motorised demonstrations seen in many museums, this one is manually operated. Turning a locomotive weighing dozens of tonnes must be exhausting. The base of the turntable is shaped like a mortar and channels water through it to prevent freezing.
 
The station has two operationally preserved locomotives: a JNR Class C12 steam locomotive and a Class DD16 diesel locomotive. C12 No. 167 was built by Nippon Sharyô Nagoya factory in 1937 and mainly served in western Japan. It was withdrawn in 1974 and preserved in Kami Town Kôminkan (加美町公民館) of Hyôgo Prefecture before being transferred to the Wakasa Railway in 2008. The Class DD16 diesel locomotive was originally developed to replace steam locomotive like the C12. The No. 7 unit here was formerly owned by the Railway Technical Research Institute and transferred to the Wakasa Railway in 2012.
 
After being acquired by the Wakasa Railway, C12 No. 167 was converted from coal-fired steam to compressed air operation. As it is officially withdrawn, it cannot carry passengers, but it can run within the line's block section for demonstration purposes. Experience driving sessions are held on the third Saturday and forth Sunday every month between April and October. And a SL Riding Experience event will hold on selected dates.
 
Visitor writing messages in stones and placing them on the railway sleepers
 
Vehicles' shed
 
Series 12 coaches – not accessible to visitors
 
Besides the two locomotives, the Wakasa Railway also retains a JNR Class Yo-8000 brake van, open freight wagons, and three JNR Series 12 passenger coaches. The first two are not on display (probably stored in the shed), while the Series 12 coaches are parked at the end of the tracks and cannot be approached on foot. On 11th April 2015, the Wakasa Railway conducted an 'SL running social experiment' to test the feasibility of operating service hauled by the C12 steam locomotive. As C12 No. 167 is no longer certified, the test run between Hattô (八東) and Wakasa used scarecrows instead of real passengers to simulate load weight.
 
Perhaps the cost of re-certifying C12 No. 167 is too high. Ten years on, the idea has yet to become reality. Instead, there are plan to operate retro tourist services using the still-certified DD16 diesel locomotive to haul the Series 12 coaches. The plan is expected to begin in April 2027, running only on weekends and public holidays, with four services per day (two return trips).
 
As a third-sector railway, achieving financial balance is never easy. Fare revenue alone is not enough. Local railways therefore have to be creative in developing tourism. Besides retro trains, cherry blossom viewing is one of Wakasa Station's main attractions. The bare trees lining the tracks in winter are actual cherry trees. In spring, vintage locomotives, retro trains and the station building framed by falling blossom create scenes that feel frozen in the Shôwa era – something few famous blossom spots can offer.
 
Wakasa Cafe 'retro'
 
Cafe seating converted from the waiting room
 
My iced cafe au lait and Todd's hot chocolate
 
After exploring the yard, we checked the timetable and saw that a train would arrive in under ten minutes. Since we could not ride the Wakasa Railway this time, we decided at least to photograph it. We bought drinks at Wakasa Cafe 'retro' and took a seat.
 
I ordered an iced cafe au lait, while Todd chose hot chocolate. Although the weather was slightly chilly, our thick winter layers made it feel a bit warm indoors. There is something oddly refreshing about drinking something cold on a crisp day – a bit like people who enjoy ice cream in winter. Todd, however, insisted on something hot. 'What exactly is the difference between cafe au lait and a caffe latte?' he asked. I am no coffee expert. I only know both are coffee with fresh milk – one French, one Italian – and the proportion of milk differs.
 
After ordering, the staff invited us to sit in the waiting room and said they would bring the drinks over. From behind the coffee bar curtain came an incredibly fragrant smell. They so sell food – but only burgers and cheesecake – and the aroma was definitely neither of those. We guessed the staff were preparing their own lunch. The waiting room still retained a strong Shôwa atmosphere. As our coffee arrived, so did the train. Once the passengers had disembarked, I stepped onto the platform to take same photos.
 
Tourist train 'Wakasa' (Wakasa Railway Series WT3000 diesel train)
 
Interior
 
I thought the train would remain at the platform until 13:24, the next departure time. But after I finished taking photos, just as Todd was about to step outside, the train suddenly moved off and parked on a siding instead.
 
Currently, the Wakasa Railway operates three Series WT3000 series diesel trains and one Series WT3300. The WT3000 trains were rebuilt from WT2500 trains (originally introduced in 1987) between 2002 and 2003, with new engines, transmissions and bogies, as well as refurbished interiors. During the refurbishment period, one WT3300 train was purchased to ensure sufficient rolling stock; it is 500 mm shorter that the WT2500.
 
The three WT3000 trains are painted in blue 'Shôwa', red 'Yazu', and green 'Wakasa' liveries, with interiors styled in retro Shôwa design. The single WT3300 train carries a full-body livery sponsored by Suzuki, themed after the GSX1300R Hayabusa motorcycle. Every August, Suzuki Hayabusa enthusiasts from across Japan gather at Hayabusa Station (隼駅) for the 'Hayabusa Station Festival'.
 
Former Tomieda Quarry (photographed by Todd)
 
Tomieda Quarry (photographed by Todd)
 
The one-way fare between Tottori station and Wakasa station is JP¥650, making a same-day return JP¥1,360. A slightly cheaper option is to buy a Wakasa Railway one-day pass for JP¥760, which allows unlimited travel between Kôge and Wakasa. For the JR section between Tottori and Kôge, you can buy a return ticket in advance at JP¥240 each way in Tottori station. That brings the total to JP¥1,240.
 
After enjoying our coffee in the Shôwa-style waiting room, it was time to leave Wakasa. On the way here, Todd had spotted a large cliff face but had not taken a photo. On the return drive, we finally captured it. At first, we thought it was Byôbu Rock marked on the tourist map, but after checking, we realised that was further away. This was actually the former Tomieda Quarry (富枝採石場). The stone here, known as Hirodameno Lava (広留野熔岩), was produced at around 16,000 tonnes per month until May 1978, mainly for use in concrete.
 
Tottori Ekimae shopping arcade
 
Tottori Takumi craft shop
 
Takumi Kappô restaurant
 
Entrance to the kappô restaurant
 
Back in Tottori, it was of course time for lunch, As mentioned earlier, we had planned to try local cuisine at Takumi Kappô (たくみ割烹店). The restaurant is located at the corner of the Tottori Ekimae shopping arcade (鳥取駅前商店街) and Nishikidôri (錦通り), about five minutes' walk from Tottori station. I had intended to park at the paid car park beside the Tottori Shinkin Bank (鳥取信用金庫) head office, but missed the turning and ended up in another car park. Parking cost JP¥100 per 30 minutes – quite reasonable for Tottori.
 
Takumi Kappô is part of the private Tottori Folk Crafts Museum, founded by the late Tottori-born doctor and folk art enthusiast YOSHIDA Shôya (吉田 璋也). The museum exhibits Japanese, East Asian and Western European folk art, with around 3,500 antiques and 1,500 contemporary pieces. Beside the kappô restaurant, there is also a craft shop, Tottori Takumi Kôgeiten. 'Kappô' (割烹) literally means cutting and cooking – preparing and cooking ingredients to order – and refers to a traditional high-end style of Japanese cuisine.
 
Restaurant interior
 
Mandarin juice
 
Takumi meal 'Etsu' – Three small starters: monkfish liver, dressed fried tofu with dried shredded mooli radish (daikon), and lemon-pickled lotus root
 
Takumi meal 'Etsu' – sashimi
 
Takumi meal 'Etsu' – simmered flatfish in soy-based sauce
 
Tottori wagyû beef butter-grilled
 
Takumi meal 'Etsu' – soup, and notice the large pot of rice behind!
 
Side dishes: pickled mooli radish (daikon) and simmered kombu
 
Seasonal fruit (dessert): Tottori pear
 
The restaurant was also designed by YOSHIDA Shôya and is filled with a strong folk-craft atmosphere. Although kappô is regarded as high-end cuisine in Japan, the lunch prices were not high at all. We order two meals to share. One was the Tottori wagyû beef butter-grilled meal (JP¥2,700), and the other was the very generous Takumi meal 'Etsu' (JP¥3,000), which included three small starters, sashimi, simmered whole fish and soup. Both sets came with a large portion of rice, side dishes and dessert (a choice of fruit or yoghurt).
 
The restaurant closes for an afternoon break at 14:00. We arrived at 13:10 – and by the time we finished, we were the last two customers.
 
 
Article Menu
LAST: [Japan tour 2026] Heading to Tottori: the limited express train Super Hakuto, Hotel Monarque Tottori & Gottsuo Ramen
HERE: [Japan tour 2026] Wakasa Station ~ a real-life 'railway museum'; Takumi Kappô ~ famous local dishes in Tottori
NEXT: [Japan tour 2026] Hakuto Jinja ~ shrine for the white rabbit
 
 
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[Japan tour 2026] Hakuto Jinja ~ shrine for the white rabbit

中文版請按此   Date: 16th January 2026 (Friday)     ...